How Creative Producer Jake Halbakken is Shaping the Future of Live Music – Pt. 1: Origins, Balance & Creative Process
Matt Sierra
Jun 2, 2025
Origins, Balance & Creative Process
In Part 1 of our conversation with Jake Halbakken— a creative producer and artist manager who has brought stage designs to life at Coachella."—we dig into the roots of his journey. He shares how he got started, what led him to wear so many creative hats, and how he finds harmony between music, management, and large-scale stage production. This section highlights the origin story and the unique perspective that drives his multidisciplinary approach.
From Volunteering to Visionary: A Creative Producer’s Origin Story
Q1: Let’s start from the beginning—can you tell us a bit about who you are, what you do, and how your journey in music and design began?
I’m a senior producer and project manager at Vita Motus Design Studio, and I also manage artists and run a company called Sonus Club. Sonus works with electronic artists in both a management capacity and through creative services that support their vision, like rollout planning, visual content, and brand direction.
My journey into music and production really started as a rave kid in college. I fell in love with electronic music, and the first festival I ever went to I was actually volunteering. That experience flipped a switch. I knew immediately I wanted to be on the inside of these worlds, helping to make them happen.
From there, I just kept finding ways in. I did everything from scanning tickets to working box office and catering. I kept saying yes to anything that got me closer to the work. That eventually led to internships with Do LaB and Insomniac, and then into freelance work in artist services and creative production. I held a senior role at Intersect Festival, which was a major stepping stone, and eventually I landed at Vita Motus. I started as a production coordinator and worked my way up over the last 5 years.
At the same time, I started managing a friend’s artist project on the side, and that took off. He ended up signing to the label of a headline global DJ, which led me to take on another client and build what became Sonus Club. Everything has grown from that original hustle and curiosity that started with volunteering.
Spinning Plates and Tracks:
Balancing Roles in a 24/7 Creative Life
Q2: You wear a lot of hats—DJ, artist manager, and creative producer for stages at Coachella. How do you balance all those roles, and what does a typical week look like for you?
Yeah, it’s a lot. Sometimes it feels like too much, but I love the variety. Over the years I’ve picked up a pretty wide range of skills, and I like getting to move between different types of work. DJing is something I do just for fun. I’ve played a few shows here and there, but it’s a personal outlet more than anything else.
Balancing it all is tough. When your work is also your passion, it never really turns off. I’m constantly thinking about shows, artists, design, or logistics even when I’m supposed to be relaxing. I can’t even answer the “what are your hobbies” question anymore because the line is so blurry.
But I’ve got great people around me. Sonus Club has a small but mighty team that helps keep things moving. Same with my artists. And Vita Motus has been an incredibly collaborative environment. We all have each other’s backs. Whether I’m leading something or supporting someone else’s vision, it’s always felt like a team effort.
There’s really no such thing as a typical week. Sometimes I’m deep in production calls with teams across the globe in places like the Middle East, China, Italy, or South America. I might have meetings at 5 a.m. one day and 11 p.m. the next. Other weeks I’m out at shows nearly every night, either supporting one of my artists or checking out a tour we’re helping with. Every week looks different, and that’s part of what keeps it exciting.
Translating Sound to Space: The Inspiration Behind the Art
Q3: Whether you’re curating music or overseeing the production of massive festival stages, what inspires your creative process across those different mediums?
Music is always at the center of it. I’m usually trying to take what a song feels like and translate that into a space or a visual world. I really love helping artists build the world around their music, whether that’s for a release, a tour, or even a simple piece of content.
What’s funny is that I’m super organized in my day to day work, but my creative process is the opposite. It’s messy, spontaneous, emotional. Ideas usually come in waves, sparked by something small like a color, a lyric, or a visual reference. It’s never a perfectly planned thing.
That contrast actually works for me. I can handle the structure and timelines and logistics, but when it comes to ideas, I let it be raw and chaotic. I think that mix is what helps me come up with concepts that feel honest and specific to the artist.
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Jake can be found on instagram, here:
jakehalbakken
Founder @sonusclub.la
Manager @informal.mp3 @soshmosh
Art car and Quasar Photos Courtesy of Andrew Jorgenson.
VMA Photos Courtesy of Alive Coverage.